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Waylon Jennings gave his seat to the Big Bopper, who had the flu. Holly’s two remaining band members did not board the plane. The destination for the plane, a Beechcraft Bonanza, was Fargo, N.D., the nearest airport to Moorhead. Unable to arrive at Clear Lake’s Surf Ballroom until 6 p.m., Holly decided to charter a plane for his band rather than ride the same bus 500 more miles the next day for a concert in Moorhead, Minn. 2, 1959, 350 miles away, in Clear Lake, Iowa.
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It was a school bus and we slept on the luggage racks, and it (the bus) kept breaking down.”Īmong those traveling on the bus: Holly and his three-piece tour band, and also Valens, The Big Bopper and Dion & The Belmonts. With temperatures consistently dipping below zero, the heating system in the bus did not work.ĭion DiMucci, leader of Dion & The Belmonts, was quoted in /stories: “It was a rough winter, and we didn’t have those beautiful luxury touring buses. Riding in the bus between concert sites was considered torture. Shows were very well supported, but travel conditions were miserable. The 1959 tour was called the Winter Dance Party. Witcher, recently promoted to assistant city manager, had been managing director of the Buddy Holly Center and other cultural facilities.īober added she felt a need to take over the Saturday tour of Holly landmarks after the 2011 death of Holly historian Bill Griggs. 3 fell on a Super Bowl Sunday, there was a sum total of 10 people at the Buddy Holly Center, and five of them were staff.” The Stones seem especially invigorated by playing with guests, letting Jack White indulge in some Gram Parsons fantasies on a good version of "Loving Cup," playing some tough, authentic Chicago blues with Buddy Guy on "Champagne & Reefer," and surprisingly getting a ferocious performance from Christina Aguilera, who navigates Mick's complicated, nasty lyrics with ease in "Live with Me." These may not be major moments but they are minor pleasures, and they're the reason why it's all right to add a ninth live album to the Rolling Stones' bulging live discography.“Brooke (Witcher) told me the last time that Feb. But the real reason to get Shine a Light is to hear the band tighten up the rhythms on "All Down the Line" and then do the opposite with "Tumbling Dice," turning it into something that's looser than the original, and it's also great to hear them find a groove so smoothly funky on "Just My Imagination" that they top their original 1978 studio version. There's not much that the group can do to make "Brown Sugar," "Start Me Up," or "(I Can't Get No) Satisfaction" (one of seven songs only available on the soundtrack's double-disc edition, which contains every song used in the film) new, but they hardly go through the motions on them they do tight, muscular versions, versions that hardly sound like the work of 60-year-olds.
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Shine a Light bears this out, as the group has an easy interplay that avoids being lazy, even on the worn-out warhorses that close the album. This is a band that has, in Keith Richards' estimation, turned into a rock & roll equivalent of the Duke Ellington or Count Basie orchestras, players that keep on playing because that's what they do. It's useless to compare Shine a Light to such early landmarks as Get Yer Ya-Ya's Out!, as this is a different band than the roving band of marauders from 1969.
![shine song buddy shine song buddy](https://img.youtube.com/vi/PoOZJYJU8rw/0.jpg)
To a large extent, the music on Shine a Light confirms this to be true, proving that the band retains a remarkable alchemy that has deepened over the years. And by sending himself up, he helps to build the band up, showing that he's powerless to compete with the force of the Stones and thereby illustrating that they're still a rock & roll force. But Scorsese isn't merely just the director - he's part of the film and the soundtrack, turning himself into a cheerful caricature of his quick-talking reputation, reminding the audience that's he's part of this project (he also gets co-billing on the cover and spine of the CD!).
#Shine song buddy movie#
The very presence of the Academy Award-winning director, who has mined many memorable movie moments from the Stones (often involving "Gimme Shelter," which is conspicuous in its absence from this film and soundtrack), elevates Shine a Light far above the status of just another concert film. Add to that the many live home video releases (including two four-disc box sets of latter-day tours) along with countless unofficial live releases, and there's simply an avalanche of live Rolling Stones material out on the market - so how does 2008's Shine a Light stand apart from the pack? That's simple: it is a prestige project, thanks to the collaboration of director Martin Scorsese. Over the course of their nearly 45-year recording career, the Rolling Stones have released eight official live albums and five theatrical feature films.